List of compositions by Franz Schubert (doubtful and spurious)

Anhang I (Anh. I; first Annex) of the 1978 edition of the Deutsch catalogue lists 32 compositions which are spuriously or doubtfully attributed to Franz Schubert.[1]

Table

Legend

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List

Compositions by Franz Schubert listed in the Deutsch catalogue for Anh. I
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
40 Anh.
I/1
String Quartet, D Anh. I/1 E major 1813 Doubtful: lost or identical to D 87
Anh.
I/2
String Quartet, D Anh. I/2 F major 1816 Doubtful: lost or identical to D 353
Anh.
I/3
VIII, 2
Anh. No. 2
Fugue, D Anh. I/3 C major 1812? Spurious?; For string quartet?; Fragment: only viola part is extant
2 Anh.
I/4






Spurious: fragment of a string quartet movement in G major by Stadler, A. [scores]
Anh.
I/5






Spurious: sketch for the opening movement of a string quartet in E major
Anh.
I/6






Spurious: Duet in D major for two violins
Anh.
I/6A






Spurious:[8] Symphony in E major "1825" by Gunter Elsholz[9] (fake Gmunden-Gastein Symphony, D 849)[10]
858 Anh.
I/7
VII/1, 4 March, D Anh. I/7 November
1825
Doubtful; Lost; For two pianos, eight hands
Anh.
I/8
Piano Sonata, D Anh. I/8 F major 1815 Doubtful: lost or identical to D 157
Anh.
I/9
Piano Sonata, D Anh. I/9 F major 1816 Doubtful: lost or identical to D 459
Anh.
I/10
Fantasy, D Anh. I/10 E major 1825? Doubtful; Lost; For piano
Anh.
I/11






Spurious: Allegro in G major and Minuet in C major, a.k.a. Sonatina; For piano; Publ. in 1967
Anh.
I/12
(1810) Seven Easy Variations G major before
Nov. 1810
Spurious?; For piano
Anh.
I/13
Six German Dances, D Anh. I/13 1814 Doubtful; Lost; For piano
Anh.
I/14
(1970) VIII, 1 Waltz, D Anh. I/4, a.k.a. Kupelwieser-Walzer G major 17/9/1826 Doubtful; For piano
336 Anh.
I/15
(1897) XXI, 3
No. 26
VIII, 1 Minuet with Trio, D Anh. I/15 D major Doubtful; For piano
Anh.
I/16
(1975) Écossaise de Vienne A major 1821? Doubtful: by Hüttenbrenner?; For piano
Anh.
I/17
VIII, 1 Tantum ergo, D Anh. I/17 B major Text by Aquinas (other settings: D 460, 461, 730, 739, 750 and 962); Spurious?; Fragment: only s part
132 Anh.
I/18
(1974) III, 4
Anh. I No. 2
Lied beim Rundetanz Auf, es dunkelt, silbern funkelt 1815–1816 Text by Salis-Seewis (other setting: D 983B); Doubtful; Fragment: one voice of a part song
133 Anh.
I/19
(1974) III, 4
Anh. I No. 3
Lied im Freien, D Anh. I/19 Wie schön ist's im Freien 1815–1816 Text by Salis-Seewis (other setting: D 572); Doubtful; Fragment: one voice of a part song
339 Anh.
I/20
(1974) III, 4
Anh. I No. 4
Amors Macht Wo Amors Flügel weben 1815–1816 Text by Matthisson; Doubtful; Fragment: one voice of a part song
340 Anh.
I/21
(1974) III, 4
Anh. I No. 5
Badelied Zur Elbe, zur Elbe, des Äthers Gewölbe 1815–1816 Text by Matthisson; Doubtful; Fragment: one voice of a part song
341 Anh.
I/22
(1974) III, 4
Anh. I No. 6
Sylphen Was unterm Monde gleicht uns Sylphen flink und leicht 1815–1816 Text by Matthisson; Doubtful; Fragment: one voice of a part song
425 Anh.
I/23
(1974) III, 4
Anh. I No. 7
Lebenslied, D Anh. I/23 Kommen und Scheiden 1815–1816 Text by Matthisson (other setting: D 508); Doubtful; Fragment: one voice of a part song; Related to D 425?
Anh.
I/24
Kantate auf den Vater (Cantata to his father) 27/9/1816 Doubtful; Lost
Anh.
I/25
VIII, 1 Drum Schwester und Brüder Drum Schwester und Brüder singt fröhliche Liede October
1819
Doubtful; For voices and instruments; Fragment: choir text, and violin II and cello parts extant
Anh.
I/26
VIII, 1 Sturmbeschwörung Nirgends Rettung, nirgends Land before
1840
Spurious?; For voices; Fragment: s part extant
Anh.
I/27






Spurious: fragment of three TTB choirs with winds
512 Anh.
I/28
VIII, 1 Klage, D Anh. I/28 Nimmer länger trag ich dieser Leiden Last c. 1817 Other setting: D 432; Spurious?
Anh.
I/29
VIII, 1 Kaiser Ferdinand II. Was reget die Stadt sich in freudiger Hast? 1853 or
earlier
Doubtful
Anh.
I/30






Spurious: "Mein Frieden" (Text Ferne, ferne flammen helle Sterne by Heine, C.), publ. in 1823, by another Schubert[11]
Anh.
I/31






Spurious: "Adieu!"/"Lebe wohl!" (Text Voici l'instant suprême by Bélanger after Wetzel, re-translated in German as Schon naht, um uns zu scheiden), publ. in 1824, by Weyrauch [et]
598A Anh.
I/32
VIII, 2
Anh. No. 1
Themes for thoroughbass exercises before
1812
Doubtful

References

Sources

Multi-volume editions, websites and catalogues

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