Vulgar auteurism
Vulgar auteurism is a movement that emerged in early 2010s cinephilia and film criticism associated with championing or reappraising filmmakers, mostly those working in the horror and action genres and whose work has otherwise received little attention or negative reception in the critical mainstream. Initially associated with the social network and streaming service MUBI and its online film magazine, The Notebook, vulgar auteurism became a controversial topic in the cinephile community following the publication of an article in the Village Voice in 2013. It has been described as "a critical movement committed to assessing the 'unserious' artistry of popcorn cinema with absolute seriousness."
Origin
According to film critic Peter Labuza, vulgar auteurism "seems to have been an unconscious movement before it ever had a name." as the earliest criticism identified as exhibiting "vulgar auteurism" was published in the Canadian film magazine Cinema Scope in 2006 and 2007. Cinema Scope writer Andrew Tracy coined the term in his 2009 article, "Vulgar Auteurism: The Case of Michael Mann". Initially pejorative, the term was repurposed by MUBI user John Lehtonen. Over the years which followed, MUBI's online film magazine began to publish more and more articles defending genres and directors which were unpopular with the critical mainstream. It derives its name from the auteur theory, a key component of film criticism which posits that the director is the author ("auteur") of a film and that films should be analyzed in terms of how they fit into a director's larger body of work. Also known as "auteurism," the auteur theory was introduced by French critics associated with the film magazine Cahiers du cinéma during the 1950s and popularized in the United States in the 1960s by Andrew Sarris.
Several critics, including Richard Brody of The New Yorker and Scott Foundas of Variety, have drawn parallels between the earliest French and American proponents of the auteur theory and vulgar auteurism. However, many commentators on the movement consider vulgar auteurism to be distinct from the classical auteur theory, pointing to its concern with visual style over theme. The question of whether vulgar auteurism is a legitimate separate movement or a subset of the auteur theory is a point of disagreement among film critics.
Vulgar auteurist ideas gained currency when one of the movement's leading proponents, critic Ignatiy Vishnevetsky, became the co-host of the television program Ebert Presents: At the Movies, produced by Roger Ebert. However, while "vulgar auteurist" criticism was becoming popular, the term and the movement to which it corresponded remained obscure until the publication of an article by Calum Marsh, "Fast & Furious & Elegant: Justin Lin and the Vulgar Auteurs", in The Village Voice on May 24, 2013.
Controversy and criticism
Marsh's article was immediately controversial. While some took issue with the films and filmmakers being championed by the proponents of vulgar auteurism, others took issue with the idea that vulgar auteurism was a movement distinct from the auteur theory.
Former Village Voice critic Nick Pinkerton has been associated with vulgar auteurism, as he has written essays in praise of directors championed by the movement and whose 2012 article "The Bigger and Better Mousetraps of Paul W. S. Anderson" has been described as vulgar auteurist. However, Pinkerton has been critical of the movement; in an article written in response to Marsh's, he decried the term "vulgar auteurism" as "a shameless attention grab", arguing that "no persuasive argument has yet been made for why the phrase should be vitally necessary to modify old, fuddy-duddy Auteurism." He further objected to the argument that film critics routinely panned the works of directors included within the movement, writing, "Fast & Furious 6, which we’re assured is scorned by critics the world over, currently stands at 61% at Metacritic, above The Great Gatsby (54%), and within striking distance of arty jazz like Simon Killer and Post Tenebras Lux."
Notable directors
- Paul W. S. Anderson
- Kathryn Bigelow
- Michael Bay
- Joe Carnahan
- John Carpenter
- Jon M. Chu
- Roger Corman
- David Cronenberg
- Brian De Palma
- Clint Eastwood
- Roland Emmerich
- Peter Farrelly & Bobby Farrelly (the Farrelly brothers)
- Abel Ferrara
- David Fincher
- Walter Hill
- Richard Kelly
- Baz Luhrmann
- Justin Lin
- McG
- Michael Mann
- John McTiernan
- Russell Mulcahy
- Alex Proyas
- Sam Raimi
- Matt Reeves
- George A. Romero
- Tony Scott
- M. Night Shyamalan
- Zack Snyder
- Steven Soderbergh
- Steven Spielberg
- Sylvester Stallone
- Quentin Tarantino
- Johnnie To
- Paul Verhoeven
- Lars von Trier
- Rob Zombie
Notable films
- 8mm (1999)
- A.I. Artificial Intelligence (2001)
- Ali (2001)
- The A-Team (2010)
- AVP: Alien vs. Predator (2004)
- Basic Instinct (1992)
- The Black Dahlia (2006)
- The Blackout (1997)
- Blue Steel (1990)
- The Cat in the Hat (2003)
- Changeling (2008)
- Che (2008)
- Christine (1983)
- Cloverfield (2008)
- Crank (2006)
- The Curious Case of Benjamin Button (2008)
- Dangerous Game (1993)
- Deja Vu (2006)
- Die Hard with a Vengeance (1995)
- Domino (2005)
- The Driller Killer (1979)
- The Driver (1978)
- Escape From L.A. (1996)
- The Expendables (2010)
- The Fast and the Furious: Tokyo Drift (2006)
- Fast & Furious 6 (2013)
- Fast Five (2011)
- Flags of Our Fathers (2006)
- The Game (1997)
- Geronimo: An American Legend (1993)
- G.I. Jane (1997)
- The Girl with the Dragon Tattoo (2011)
- Go Go Tales (2007)
- Gran Torino (2008)
- The Happening (2008)
- Halloween II (2009)
- How the Grinch Stole Christmas (2000)
- Indiana Jones and the Kingdom of the Crystal Skull (2008)
- In the Cut (2003)
- Lady in the Water (2006)
- Last Action Hero (1993)
- Maniac Cop (1988)
- Man on Fire (2004)
- The Matrix Revolutions (2003)
- Me, Myself and Irene (2000)
- Miami Vice (2006)
- Midnight in the Garden of Good and Evil (1997)
- Million Dollar Baby (2004)
- Mission to Mars (2000)
- Mystic River (2003)
- Near Dark (1987)
- New Rose Hotel (1998)
- Ocean's 12 (2004)
- Ocean's 13 (2007)
- Pain & Gain (2013)
- Point Break (1991)
- Predator (1987)
- The Punisher (1989)
- Public Enemies (2009)
- Redacted (2007)
- Resident Evil (2002)
- Resident Evil: Retribution (2012)
- Rocky Balboa (2006)
- The Rock (1996)
- Rollerball (2002)
- Shallow Hal (2001)
- Showgirls (1995)
- Snake Eyes (1998)
- Solaris (2002)
- Southland Tales (2006)
- Spider-Man 2 (2004)
- Spider-Man 3 (2007)
- Starship Troopers (1997)
- Stuck on You (2003)
- Sudden Impact (1983)
- Taken (2009)
- The Taking of Pelham 123 (2009)
- There's Something About Mary (1998)
- Total Recall (1990)
- Transformers: Dark of the Moon (2011)
- Unbreakable (2000)
- Unstoppable (2010)
- The Village (2004)
- War of the Worlds (2005)
See also
Related movements
- American New Wave
- Arthouse action film
- Cinéma du look
- French New Wave
- Maximalist film
- New French Extremity
- Postmodernist film
- Social thriller
Related genres
- B-movie
- Blockbuster film
- Classical Hollywood cinema
- Exploitation film
- Extreme cinema
- Giallo
- Grindhouse
- Music video
- Postmodern horror
- Video nasty